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    Gregory Burns, PLY

    gregoryburnsart

    Painter I Speaker I Facilitator I Paralympic Gold Medalist

    A race and a painting for inclusivity: https://www A race and a painting for inclusivity: https://www.straitstimes.com/sport/persons-with-disabilities-to-take-part-in-2025-stanchart-marathon-alongside-able-bodied-participants
    If you can join us in Singapore, please rsvp. If you can join us in Singapore, please rsvp.
    May our new Pope bring peace and protection to our May our new Pope bring peace and protection to our fractured world. This sketch, something I did standing in front of St Peter's Cathedral, represents The Swiss Guard who protect the Vatican.
    Lady Gaga on Crutches: In her multi-faceted perfor Lady Gaga on Crutches:
In her multi-faceted performances, a collage of opera, rock concert, spin class, fashion and photo shoot, Lady Gaga pushes boundaries and forces audiences to think differently. She is also famously active and supportive of marginalized groups such as the LGBTQ community. In her recent appearances at Coachella Festival, California and Copacabana Beach, Brazil, while singing, ‘Paparazzi’, the singer ambulates across the stage utilizing shinny metal crutches before forcefully throwing them away. The singer’s recent medical issues with her legs and how she struggled to overcome adversity may well have inspired this ‘Gladiator-like’ costume choice. But seeing Lady Gaga normalizing mobility aides in front of an audience of two million was bold and refreshing, making crutches seem almost sexy. I’ve always been impressed with Gaga’s music and advocacy and it felt to me like she was embracing the disabled community and normalizing the use of mobility aides while subtly encouraging all of us to, “be and believe in yourself”.
#angietanburns #olympicmuseum #ladygaga #inclusion #mobility
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GregoryBurns
GregoryBurns
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110317_ATB0017_AUS_At Sea_18x24in_MMP_11_not F & Sharpen copy
110317_ATB0032_AUS_Prop_18x24in_MMP_11_not F & Sharpen copy
As soon as we escape the controlled waters of Sydney harbor our vessel slams into the waves of the Bass Strait like a sledgehammer pounding on dirt. Tossing us side-to-side and front to back, the seas play with us like a child with a rag doll. Creaking and dipping, our suite with 600 thread-count sheets and high definition TV lists as we make our way towards Melbourne. From our fourth floor portal, 60 feet above the waterline, foam from broken waves paints our view white. Our first night at sea and we are deep into the feeling of man’s tentative relationship living upon water even when our capsule is the size of the Empire State Building.
110317_ATB0026_AUS_Flying Fish_18x24in_MMP_11_not F & Sharpen copy
A new day breaks and the seas have laid down with a bright sun shining over all of us. My first art class goes well as I endeavor to polish some budding artists. Several, having come full-circle in their twilight years, create with the sheer pleasure I have observed in children.
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Angie and I begin to get a hang of the ship’s layout as our sea legs sprout. Smooth sailing for the day until evening when the winds pick up and again buffet us about. We pass far off shore somewhere between Tasmania and Australia. The horizon curves away and there is only an ocean with a few frigate birds, their wing tips tapping Morris-code on the faces of the waves while they swoop across the surface of the sea. After standing long against the thrust of the wind, it is time to go below and prepare for the night’s black tie dinner.
110317_ATB0038_AUS_Dolphins_18x24in_MMP_11_not F & Sharpen copy
The following day begins with a whale spouting off port and two dolphins playing in the boat’s wake. A good omen by any standard. Angie and I have settled into our shipboard routines. Up with the sun, Angie goes to stretching and strengthening classes while I ensure the bed doesn’t get made before 9am. Later, while I teach an art class of dedicated students, Angie practices Samba and Waltz moves with the ship’s two svelte Ukrainian instructors. By dinnertime we are ready for a nap before venturing aft to dine in elegance.
110317_ATB0033_AUS_Frigates_18x24in_MMP_11_not F & Sharpen copy
In ports of Adelaide and Freemantle, we walk about, feeding on fresh sights and old buildings. We find quaint turn of the last century architecture mixed with ultra modern steel and glass structures. The highlight of shore leave is inevitably the high-speed Internet connection available at Hungry Jack fast food restaurants where we reconnect with the outside world. Returning to our home away from home on the sea, we set sail for Bali.
A cyclone off the north of Australia whips up the seas again as we are pummeled by 40-knot winds and 20 foot seas. Dinner with dancing waiters goes remarkably well while nothing appears to hit the floor despite the pitching seas. However, by dessert luck has run out and a substantial crash emanates from the kitchen, reminding us that behind the manicured veneer, keeping a vessel of 1000 guests and crew operating while in the grip of Poseidon has its challenges. But the staff and the ship respond impeccably as we cruise the Indian Ocean heading towards the equator.
110317_ATB0024_AUS_Big Wave Day_18x24in_MMP_11_not F & Sharpen copy
After two weeks on the sea, we anchor off the East coast of Bali and spend a day revisiting local sights and friends. It has been an expansive trip for both our hearts and bellies. We lunch at an open-air wet market on traditional Indonesian food, returning to a more reasonable caloric diet. Our last view of the island is the departure lounge of Bali International Airport, returning to Singapore and life lived on land.

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    recent posts

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